best mens polo shirts Lots of movement and music at CMU Dance Company Concert
It s just that some people do it a whole lot better than others. Like, for example, the talented individuals involved in the annual CMU University Theatre Dance Company Concert. Their grace, style and unbridled enthusiasm for musical movement allows everyone to become a super dancer at least in spirit.
Everyone s spirit will soar once again this year when CMU faculty and students perform at Bush Theatre in Moore Hall during upcoming performances.
Tickets are $8 for the general public, and $6 for students and senior citizens. We know that our audiences will enjoy this year s concert.
Viewers will also have an opportunity again this year to experience the excitement of dances choreographed by CMU students. The 2013 concert includes four dances that were choreographed by students as part of last fall s Student Choreography Showcase.
Providing an opportunity for students to fully stage dances worked very well last year when we tried it for the first time, and it s been a wonderful experience for students again this year, Trommer Beardslee says.
Eric Miller, Karen Opper, Adam Zank, Kalie Dickman and Madison Williams have worked on their dances throughout the school year and are anxiously awaiting the debut of their fullystaged works. Miller and Opper were also selected last year.
This has been a great experience for the students and the entire CMU dance faculty is very proud of their work, as we are of all the student dancers and designers involved in the concert, Trommer Beardslee says. These students have been working on their dances throughout the year, growing their craft and artistic talents it s exciting for all of us.
In addition to the student choreographed works, the concert features dances choreographed by Trommer Beardslee and other faculty members, Keeley Stanley Bohn, Vickie Diebold and Ricky Bird Clarkson. The concert also includes a dance by guest choreographer, Bethany Hepworth, who is an instructor at Off Broadway Performing Arts Studio in Mt. Pleasant.
It s an honor to have Bethany working with us this year; she s done a wonderful job with the student dancers, Trommer Beardslee says.
The artistic director has similar praise for CMU University Theatre faculty and students whose talents in costume, lighting and set design are an integral part of the concert.
This particular concert is truly a showcase for the creative individuals in our department this show could not happen without everyone s assistance, she says, citing costume designer Ann Dasen as an example of the show s collaborative nature. Ann s work is simply incredible. She takes such care in making sure that the costuming for each dance connects with the choreography, and her costume designs express her understanding of each piece in the concert.
That understanding is evident in What We Know, a modern jazz inspired dance choreographed by Trommer Beardslee which opens the concert. Leather and metal figure into the costumes of two groups of dancers from two diverse cultures who find their own way of interacting. Scottish inspired music, Insurgence performed by Tartanic, uses a heavy downbeat to propel the spirited dancing.
Zank s student choreographed piece follows, using a mathematical cosign in the title to full advantage: >Apart, (less than Apart).
Adam s contemporary jazz piece tells the story of the dynamics between two women it s technically strong and wonderfully choreographed and produced, Trommer Beardslee says about the dance that s set to a familiar song title, Girls Just Want to Have Fun,
but with an arrangement by The Maine that s very different from the original version.
High kicking action takes over in Fosse! that s choreographed by Diebold as a tribute to legendary American Jazz dance great, Bob Fosse. The ensemble piece takes full advantage of music like All That Jazz and other tracks from the Broadway production of Chicago with Dasen s costuming perfectly complimenting the tap jazz and fancy footwork.
The scene shifts from light hearted fun to intense drama in Hepworth s piece, Le Reve Soucieux. Classic ballet styling is set to Clint Mansell s Lux Aeterna in the ensemble work that explores the personal, emotional struggle of a couple.
This is a beautiful piece, wonderfully choreographed and enhanced by the costuming and lighting design, Trommer Beardslee says.
Perhaps one of the most interesting pieces follows Arte Belli involves dancing and sword play. Trommer Beardslee enlisted the stage combat expertise of a CMU cohort, Stanley Bohn, in choreographing the piece that s set to the appropriately titled Swords of the Six by Jonathan Maiocco.
We had such a great time with this, integrating the art of stage combat with dance to create fluid movements the swords become an extension of the dancers limbs and you can feel the music in your body, she says.
Act I concludes with Dickman s student choreographed piece, The End, set to DeVotchKa s The Winner Is.
Emily really pushed herself to grow this piece from its debut last fall as part of the Student Choreography Showcase to the finished work in the concert, the artistic director says. It s a contemporary jazz piece about friendships how some go their separate ways.
Act II features a set of works choreographed by Bird, interspersed with student choreographed pieces and works by Diebold and Trommer Beardslee. Bird s Classroom Troubles that begins after intermission is all out, rollicking fun set to a hip hop beat as the ensemble dances on and around desks to a medley of lively tunes composed by Joker and Onika Maraj.
It s a dance comedy very upbeat and so much fun, Trommer Beardslee says, noting the same spirit prevails in Bird s other piece, Let Me Show You Something that features sophomore Misti Conley in a solo performance. Misti dances wonderfully in the piece that has very clean, precise lines.
Diebold s Turmoil uses iconic Beatles tunes, Eleanor Rigby and Revolution, to effectively demonstrate the transition of dance from classic ballet to jazz as the dancers literally take off their ballet shoes and break free.
Student choreographed pieces include Last Breath With Love by Opper and Miller that portrays the rollercoaster of life and includes both recorded songs and live music by Aaron Pickett; and Twisted Desire by Williams, a duet featuring CJ Malloy and Brandee Meadows in the story of a couple involved in a dysfunctional relationship.
Both of these pieces are emotional and the student choreographers have done an excellent job in crafting their finished works, Trommer Beardslee says.
Everyone can become a child again via the concert s finale, Bedtime, choreographed by the artistic director and inspired by her own young children, wiggling, jumping and avoiding going to bed, and scary things hiding in the closet. The monster in this case is very, very cuddly providing a suitable happy ending with an upbeat,
cover version of The Doors People Are Strange.